C’est La Vie

By December 29, 2017Uncategorised

C’est la Vie   aka Le sens de la fête (France/Belgium/Canada)

February 8 at SilverCity

6:30pm & 8:45 pm

Director: Olivier Nakache, Eric Toledano
Cast: Jean-Pierre Bacri, Suzanne Clément, Jean-Paul Rouve, Gilles Lellouche
Runtime: 117 minutes
Language: French

Rating: N/A

Globes de Cristal Awards, two nominations: Best Film, Best Actor (Jean-Pierre Bacri)

“C’est la vie! pours a fizzy flute of French champagne and keeps the bubbles flowing.”—Pat Mullen, Cinemablographer

This effervescent comedy from celebrated French directing duo Olivier Nakache and Eric Toledano (The Intouchables) invites us to an opulent château to attend a très extravagant wedding, where the groom is a self-absorbed stuffed shirt, the band is at war with the organizers, and the chief planner is desperately looking for the exit.

Max (Jean-Pierre Bacri) is a battle-weary veteran of the wedding-planning racket. His latest — and what he intends to be his last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he’s a Gallic James Brown, and a stuffy, micromanaging mama’s boy of a groom who is determined to make Max’s night as miserable as possible.

But what makes the affair too bitter to endure is that Max’s colleague and ostensible girlfriend, Joisette (Xavier Dolan regular Suzanne Clément), seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It’s going to be a very long night… especially once the groom’s aerial serenade gets underway.

Everything that could go wrong does go wrong in this energetic and madcap farce. An upstairs/downstairs dynamic keeps Max running around the grand château like a lively fire fighter and conductor who douses disasters.

An Altmanesque ensemble work brimming with offbeat, lovable characters, and hilarious set pieces, C’est la vie! is a fiendishly smart, sprawling comedy as only the French do it. As the well-chosen closing-night gala for the Toronto International Film Festival, the film won a warm standing ovation for its directors onstage.

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