April 23, 2015, SilverCity

Showtimes: 6:30 pm & 8:15 pm

Director: Pawel Pawlikowski
Cast: Agata Kulesza, Agata Trzebuchowska
Runtime: 82 minutes
Language: Polish (with English subtitles)
Rating: PG

Academy Awards, New York Film Critics Circle Awards, Los Angeles Film Critics Association Awards, San Francisco Film Critics Circle: Best Foreign Language Film

Toronto Film Critics Association Awards: International Critics Award

“The film tackles the complex issues of faith, hypocrisy and wartime accountability with nuance — and it’s drop-dead gorgeous.”–Susan G. Cole, NOW Magazine

“A small gem, tender and bleak, funny and sad, superbly photographed in luminous monochrome: a sort of neo-new wave movie with something of the classic Polish film school and something of Truffaut, but also deadpan flecks of Aki Kaurismäki.” -Peter Bradshaw, The Guardian

In Poland, few subjects are as controversial and emotionally charged as the relations between Catholics and Jews during the Nazi occupation. Following his success in England with films like Last Resort and My Summer of Love, director Pawel Pawlikowski has returned to his native country for the first time in his career to address one of his homeland’s most sensitive and painful topics.

The result is one of the year’s most powerful and affecting films, which was awarded Academy Award for Best Foreign Language Film, the FIPRESCI Special Presentations prize at the 2013 Toronto International Film Festival, and Best Film at the 2013 BFI London Film Festival.

In 1960s Poland, Anna is a novitiate nun about to take her vows. Instructed by her Mother Superior to visit her aunt prior to withdrawing into the religious life, the prim Anna meets her mother’s sister Wanda, a raven-haired sensualist and former state prosecutor, who reveals some heretofore unknown information about Anna’s past— including her real name, Ida. This launches a remarkable journey into the countryside, where secrets both familial and national are darkly, inextricably intertwined.

Shooting in black and white, Pawlikowski crafts a masterful drama which balances the intimate and personal with the world and historical. As the two women unearth ever more details about their family’s painful past, their search illuminates some of the darkest corners of Poland’s history under both fascist occupation and communist autocracy. Brilliantly structured, elegantly shot and impeccably executed, Ida will have all who see it reaching for superlatives.