By April 6, 2018Uncategorised

Sunday April 22nd 4:35 PM
Russia/France 2017
Director: Andrey Zvyagintsev
Cast: Maryana Spivak, Yanina Hope, Aleksey Rozin
Runtime: 127 minutes
Language: Russian with English subtitles
Rating: 18A

Academy Award, Golden Globe Nominations: Best Foreign Language Film; Cannes Film Festival: Jury Prize; César Awards, Los Angeles Film Critics Association Awards: Best Foreign Film; National Board of Review: Top Five Foreign Language Films; four other wins, 27 nominations.

“Zvyagintsev and his sterling cast expertly paint the portrait of a family too blinded by selfish desires to see the pain they are causing others.”—Peter Howell, Toronto Star

Russia’s nominee for Best Foreign Language Film at this year’s Oscars, Loveless is a dark, cold, spellbinding portrait of a country, and a society, in crisis.

Zhenya (Maryana Spivak) and Boris (Alexey Rozin) are in the final days of a painful, agonizing marriage. When she’s not taking selfies, Zhenya openly berates her husband, who is so beaten down he can barely pick up his head. He’s already moved on to another relationship, same with her. But his company has a strict anti-divorce policy, a function of a top-down ordinance meant to promote the importance of a family unit.

Lost in their bitter, abusive relationship is their 12-year-old son, Alyosha (Matvey Novikov), whom Zhenya treats even worse than she does her husband. But when Alyosha goes missing — he’s been emotionally missing for years, his physical disappearance is the next logical step — search parties are employed to comb the town and its surrounding areas to find him, after the broken police system offers no help.

Loveless is devastating and draining, and it takes a special kind of filmmaker to make despondency look this good. Director Andrey Zvyagintsev (Leviathan) is brave and bold behind the camera, giving Loveless a churning engine beyond its cold, dead heart. The whole story can be seen as a metaphor for Putin’s Russia and the way the country has lost its humanity. Loveless is as bleak and harsh as the tundra.

Winner of the Jury Prize at last year’s Cannes, the new film from Russian master Andrey Zvyagintsev (Leviathan) is an intense study of a family torn apart by divorce, in which the former husband and wife are each more interested in starting their lives over with their respective new partners than in tending to their 12-year-old son — until the boy suddenly goes missing without a trace.

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