Maudie

By September 19, 2017Uncategorised

September 21, 2017
Showtimes: 6:30 pm & 8:40 pm at SilverCity
Director: Aisling Walsh
Cast: Sally Hawkins, Ethan Hawke, Kate Ross, Zachary Bennett 
Runtime: 115 minutes 
Language: English, Canada
Rating: PG

Atlantic Film Festival awards: Gordon Pinsent Award (Best Feature), Michael Weir Award (Best Screenwriting); Cinefest Sudbury: Audience Choice Award; Canadian Society of Cinematographers Awards: Best Cinematography Theatrical Feature.

“Hawkins disappears into the performance, capturing Maud’s physical limitations but also the light in her eyes, the sly humor in her observations about life — and her gift for seeing the greatest beauty in the simplest things.”—Richard Roeper, Chicago Sun-Times

Maudie dramatizes the life of self-taught painter Maud Lewis (nee Dowley), who became somewhat of a cause célèbre in rural Nova Scotia thanks to her vivid renderings of folk art, despite being afflicted by debilitating rheumatoid arthritis.

It’s the 1930s. Maud’s parents have passed away. Desperate for some independence, Lewis (Sally Hawkins) breaks away from her unfeeling and repressive brother and sister by going to work as a domestic for the uneducated, irascible fishmonger Everett Lewis (Ethan Hawke), whom she eventually marries. The oddball outcasts find a life together in their tiny cottage with no heat or electricity. It is their compelling relationship that comes to define the movie.

Despite being dominated by Everett, Maud asserts her capacity for uncovering beauty and meaning even in the most challenging circumstances, and decorates the little home through painting images on any available surface. Everett is indifferent to her creativity, despite the fact that roadside sales of her small paintings and Christmas cards complements their meagre income.

However, once Maud receives unexpected patronage by a rich New York art connoisseur that boosts her hobby into a career, Everett’s appreciation of his wife gradually deepens. He is touched by his wife’s contributions to his world, in ways that he can’t articulate or even understand. For her part, Maud realizes that, for all the harshness and deprivation of her life, she is genuinely loved.
Hawkins not only grasps Maud’s physical infirmities but also illuminates her resilient spirit. Physically and emotionally closed off, Hawke manages the unlikely feat of garnering a small measure of empathy for Everett. The film is further enhanced by the stark beauty of Newfoundland and Labrador (standing in for Nova Scotia) and an effective, moody soundtrack.

One savors Maudie’s modest message, that even the poorest and most painful circumstances can shelter and nurture love, life’s greatest treasure.

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